Future Shock
Cachet Index71
Prestige Index71
Recommended slot: Peak Friday/Saturday Night
Source Data
Discogs(source)
- label
- CBS
- images
- https://i.discogs.com/1ETR4BFQxYYtBdDZbn2qozytfpoXcSNf_pCrcTgXmOs/rs:fit/g:sm/q:90/h:600/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTEwMDQ2/NzQxLTE0OTA2ODg0/MjktNzk1Ni5qcGVn.jpeg, https://i.discogs.com/1T3HOmJWUblM9_JwgRXsIS7_-5UgCNqxC74J3Guj7so/rs:fit/g:sm/q:90/h:600/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTEwMDQ2/NzQxLTE0OTA2ODg0/MjktNjA0MS5qcGVn.jpeg, https://i.discogs.com/7GLm8453dFQmoJbNASTdq7qs3_-ZazwQETpoxgsgoNI/rs:fit/g:sm/q:90/h:600/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTEwMDQ2/NzQxLTE0OTA2ODg0/MjktNzUwNi5qcGVn.jpeg, https://i.discogs.com/AMRg2iwZtgezj8DoNU0avMEy6KELW6YiunXuG8ek96U/rs:fit/g:sm/q:90/h:600/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTEwMDQ2/NzQxLTE0OTA2ODg0/MjktNjk0OS5qcGVn.jpeg
- styles
- Future Jazz, Electro
- country
- Spain
- released
- 1983
- tracklist
- A1. Rockit (5:22), A2. Future Shock (8:02), A3. TFS (5:15), B1. Earth Beat (5:10), B2. Autodrive (6:25), B3. Rough (6:57)
- catalogNumber
- S 25540
- formatDescriptions
- LP, Album
Spotify(source)
- images
- https://i.scdn.co/image/ab67616d0000b27383d54fa0d6206d4257678f80, https://i.scdn.co/image/ab67616d00001e0283d54fa0d6206d4257678f80, https://i.scdn.co/image/ab67616d0000485183d54fa0d6206d4257678f80
- artists
- Herbie Hancock
- albumType
- album
- releaseDate
- 1983
- totalTracks
- 7
- releaseDatePrecision
- year
Last.fm(source)
- mbid
- 1856c8cc-88c8-4080-821e-6dc91eb31273
- imageUrl
- https://lastfm.freetls.fastly.net/i/u/300x300/9e658b0d1b4576a3c1af0b6f07ef2bb8.jpg
- bioSummary
- Future Shock is Herbie Hancock's thirty-fifth album. Composed in 1983, Hancock enlisted avant-garde bassist and record producer Bill Laswell to record an album that would go towards a postmodern direction, instead of his usual straight-ahead jazz. The result was a hip-hop influenced album, which combined Hancock's keyboard mastery with Laswell's innovative arrangements and Grand Mixer DXT's turntablism. According to 1999 re-issue's liner notes, when Laswell went to buy speakers at a music equipment store he would insist on testing them by playing the demos of "Rockit" and "Earth Beat". While those songs were played through the speakers, passing by customers Read more on Last.fm.
MusicBrainz(Not Found)
No match found for this album from MusicBrainz.